Jobs In The Music Industry With No Experience And Careers In The Music Business

If you’re considering a career in music, you might want to start with the front-of-the-stage artists. When you lift the curtain, though, you’ll see people working in a variety of music-related vocations and careers who make performances possible. The individuals who coordinate and market the music, the people who work in the recording studios and on the soundboard to make the musical act sound great, the composers and arrangers of the music, and so on. Jobs In The Music Industry With No Experience

A career in music can entail one or several disciplines in addition to performance. You will have more options to work in the music industry if you are versatile.

Breaking into the music industry is more difficult than breaking into other businesses. Although competition is fierce, if you develop your art, network with the appropriate people, and put in the effort, there are a number of music business occupations to explore, as well as the income you can expect.

Jobs In The Music Industry With No Experience And Careers In The Music Business

1. Music Composer

In a recording studio, a music producer works on a sound board.
Do you aspire to be a jack-of-all-trades? A music producer is well-versed in both the creative and business aspects of the industry, and he or she cultivates relationships with both musicians and record labels. A producer should create an environment that allows artists to express themselves and create. A producer also helps an artist with many aspects of the recording process, such as deciding which material to record, communicating with the engineer, adapting arrangements, balancing the recording budget, and influencing mixes.

What to Learn: If you want to be a music producer, start by learning about basic audio and music principles, then move on to learning about different types of software and what produces a good sound. To be a truly great producer, you’ll need to learn engineering and mixing techniques. Take a look at your favorite albums’ credits to see who produced them. Who designed them? Find out what other albums these people have made to get a better sense of their style. Read about these people’s techniques in interviews with them. There is no one-size-fits-all approach to success here, but you can carve your own path as you gain the necessary skills.

What’s the state of the money?
$1,000,000+ – $25,000 – $25,000 – $25,000 – $25,000 –

ONLINE MUSIC PRODUCTION CLASSES WITH BERKLEE

2. Engineer of Recording

In a recording studio, a recording engineer stands at the sound board.
An audio engineer is in charge of recording and processing sound in the studio. You’ll work with analog and digital audio, compressors, microphones, and signal flow, as well as a mix of classic and tech-savvy recording approaches. You may also be in charge of scheduling recording sessions and resolving any technological issues that arise. And if something goes wrong while recording that magical take, you can be the one to bear the brunt of the producer or musicians’ wrath!

What to Learn: Become familiar with a variety of recording technologies and improve your file management abilities. Some sound engineering positions may require further mixing and editing training. You’ll also require problem-solving skills, the ability to conduct recording sessions, and initiative.

What’s the state of the money?
ranging from $25,000 to $150,000+

3. Musician for a Session

A drummer performs on a drum equipment.
As a session musician, you either back up and perform on another musician’s album or perform live with a variety of performers. This means you can experiment with a variety of styles, genres, and sounds. You’ll have the opportunity to engage with, meet, and establish relationships with a variety of other musicians. You might be requested to participate in a recording session or tour with a band. The journey of being a successful session musician can be lucrative and perhaps lead to a solo career if you’re exceptionally skilled at your instrument. Stevie Ray Vaughan worked as a session musician for David Bowie, Sheryl Crow as a back-up vocalist for Michael Jackson, and Jimmy Page as a session musician for David Bowie. Furthermore, several recording studios have their own in-house bands. (See also Motown’s Shadow, Muscle Shoals, and Twenty Feet From Stardom.) Really! (Check out these films!)

What You Should Know: A successful session musician is an expert on their instrument and has a solid reputation in the industry. You should be able to enter any musical arrangement and contribute your talents, as well as be skilled and experienced in improvisation. Another requirement is to understand how to establish a robust network and relationships. You’ll need excellent communication skills and a broad understanding of the sector.

What’s the state of the money?

The range is extremely broad, ranging from $100 to $2,500 a day or up to $100,000+.

The minimum rate is set by the American Federation of Musicians (AFofM).

4. Manager of Artists

The Beatles with Brian Epstein.
An artist manager’s job is to open doors, connect people, and move a musical act ahead in the music industry. You must have complete faith in your artist and assist them in developing a strong and long-term career through planning, organization, directing, and negotiating. You won’t get as much credit or adoration as the artist, but you’ll have to put in just as much—if not more—effort! Have you seen the photo up top? At least 80% of the people will be familiar to you, and you will know their names. But what about the guy in the middle? Brian Epstein was the Beatles’ manager during their meteoric journey to stardom. Without Brian Epstein’s influence, you might never have heard of John, Paul, George, and Ringo, let alone heard any of their music.

What to Learn: Management and leadership abilities are essential in this position. You’ll be making sales calls, negotiating contracts, and providing constructive criticism in addition to streamlining and arranging various moving components amongst bands, publishers, and booking agencies.

What’s the state of the money?

10% to 50% of the artist’s profits
For a budding artist, the range is $30,000 to $200,000.
For a mega-successful musician, the range is $2,000,000 to $10,000,000.

BERKLEE ONLINE CAN HELP YOU GET YOUR PROFESSIONAL CERTIFICATE IN ARTIST MANAGEMENT.

5. Tour Director

You’ll be involved with every facet of a band’s on-the-road career as a tour manager. You’re the tour’s behind-the-scenes genius, with a hand in every aspect of transportation, lodging, scheduling, and financing. You’ll ensure that everything goes smoothly for everyone involved. You must be self-motivated and willing to take on the band’s duties, particularly the financial ones.

What to Learn: You’ll need to know everything there is to know about the industry. You can enroll in music business management classes, but you should also study tour logistics, accounting fundamentals, and daily schedule management on your own. Learn to anticipate and cater to needs while staying on schedule by gaining expertise in all aspects of the live music industry. Read our biography on Berklee Online alum and Wilco tour manager Ashley ‘PK’ Mogayzel to get a better idea of what this profession entails.

What’s the state of the money?

For theater/arena-level touring, expect to pay between $2,500 and $10,000 a week.

Breaking into the music industry is more difficult than breaking into other businesses. There is a lot of competition, but if you perfect your trade, network with the right people, and work hard, you can succeed. Here are several jobs to explore and how much money you may earn. … 6. Music Teacher CLICK TO TWEET
Teaching can take many different forms. You could work as a private instructor or teach at a school or a music store. You could instruct on theory or a particular instrument. You’ll also have the option of teaching any age group you want—each has its own set of benefits and drawbacks. A job as a music teacher might be perfect for you if you enjoy motivating others, sharing knowledge, and working with patients.

What to Learn: The education and background you’ll need depending on whatever teaching career you want to pursue. Teaching in a school, for example, will almost certainly necessitate more certifications than working for yourself. You’ll need to be knowledgeable in the subject you’re teaching and comfortable conducting classes.

What’s the state of the money?

Studio teacher/private instructor rates range from $30 to $120 per hour.
NOTE: The cost of a lesson should be based on the amount of teaching experience and the going rate in the area. Be aware that establishing a profitable clientele may take some time. A fee may be charged for travel to a private student’s residence.

Music Teacher in a K-12 Public School $30,000-$71,181
NOTE: State certification is required. Because property taxes are the primary source of funding for schools, schools in affluent neighborhoods are often able to pay more.

For an assistant professor, the salary ranges from $43,140 to $67,360+. (full-time on a tenure track)
NOTE: Salary is determined by the size of the institution, the budget, and the teacher’s reputation. A master’s degree is required, and a PhD is preferred.

Booking Agent No. 7

Two people sit at a table, laptops open and calendars open.
It’s your job to get the band onstage. Many of the logistics of live performances are handled by booking agents, including finding concert venues, negotiating arrangements, arranging technical equipment, and providing hospitality. You’ll collaborate closely with management (both of the artists and the venues) and event producers to plan an artist’s tour schedule.

What to Study: A bachelor’s degree in music management, marketing, or accountancy might be beneficial in preparing you for a job as a booking agent. Contract negotiation, copyright law, sales, marketing, and event organizing are all topics you’ll want to brush up on. To learn the fundamentals of arranging concerts, start working in event promotion and administrative jobs.

What’s the state of the money?

Commissions range from $20,000 to $3,000,000, and are typically 10-20% of the act’s gross revenue every event.
A developing artist will receive $50,000.
For a star, expect to pay between $500,000 and $3,000,000.
Booking Specialty Agent – $50,000 – $250,000

8. Publicist for Music

Someone sitting at a board table with their laptop, notebook, and smartphone.
A music publicist collaborates with media outlets, marketers, and venues on a regular basis. Publicists guarantee that their clients’ concerts, releases, and announcements are covered by the media in a way that enhances the artist’s public perception while also raising awareness. The good news is that your hard effort will pay off in a tangible way, whether it’s a sold-out show or a radio advertisement. In a media landscape that is increasingly slashing employees and removing publications that cover music, it can be difficult to break through to journalists. It’s about selling a story, creating a network, managing a reputation, and staying ahead of the curve in this profession, which is more than just public relations.

What You Should Know: This is a communications and marketing-focused position, so start there. Develop your people skills while learning the fundamentals of public relations strategy. You’ll need to network, be persistent in your outreach efforts, and ask the proper questions to become a publicist. Develop your writing, crisis communications, and publicity campaign development skills as well as on-the-ground experience.

What’s the state of the money?

Monthly income ranges from $500 to $10,000.

You might also be interested in learning more about music marketing and social media careers.

Composer No. 9

A piano-keys piece of sheet music.
Composers aren’t limited to classical music; they can also write for movies, television, and video games. They can also compose and arrange music for recorded or live performances in a variety of genres. Regardless of which path you choose, you must have a thorough understanding of music theory, be able to play one or more instruments well, and possess the technical skills necessary to effectively capture your works, whether through music notation or recording.

What to Know: Formal education and experience are essential for success in this field. Composers are multi-instrumentalists with a thorough command of music theory and organization. Being a great composer necessitates a multi-level mastery of music’s intricacies and mechanics. Begin by learning how to use composition software and putting it to use. Notation software and recording programs, for example, are event elements of sound engineering that might be useful.

What’s the state of the money?

Composers are typically compensated on a project-by-project basis.

Composer for television

A 30-minute episode can cost anywhere between $1,500 and $7,500.
A 60-minute episode might cost anywhere from $2,000 to $15,000+.
A TV movie might cost anything between $2,000 to $55,000.

Composer of Film Scores

For a student film, expect to pay between $0 to $10,000.
For an independent film, expect to pay between $2,500 to $500,000.
For a studio movie, expect to pay between $35,000 and $2 million.

Composer for video games

Creative Fee Deal — Interactive Game – $30,000-$75,000+ (30 min. of music)
Package Fee Deal – interactive game (30 minutes of music) – includes composing and all expenditures – $30,000-$60,000+
For casual games, the price per minute of polished music ranges from $300 to $600. (creative fee only)

10. Music Composer

A music arranger is in charge of rearranging written music in order to obtain a different tone or aim. A client can want you to add a Latin rhythm to a pop song, shorten or lengthen a song, or modify the key. Arranging is a specific talent that can be pursued as a freelancer or in the context of a band or music organization.

What to Learn: Music arranging can be a full-time job or a side gig for writers and composers. An arranger, like a composer, must have a thorough understanding of music theory, as well as different instrument groupings and how they interact. Learn the principles of music theory, composition, and the technical factors involved before learning about arranging.

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